THE RE-HUMANIZATION OF ART

THE FREEDOM OF MOVEMENT

Exhibit Dates
Purpose: The Re-Humanization of Art

Group exhibit:
The Freedom of Movement
Bronzes by Laura Teste
Paintings by Lisa Vanderhill

Ortega y Gasset Projects
The Old American Can Factory
363 3rd Avenue
Brooklyn NY 11215
Gallery Hours: Fri, Sat, Sun 1pm–6pm

The theme “Freedom of Movement” explores the concept of sweet release through physical and emotional statements.   Whether a symbol of resilience, a catharsis, or an island of beauty in chaos, the exhibition practically shouts “I am myself and my circumstance, and if I do not rescue my circumstances, I do not rescue myself.”  Being proactive in forming one’s life IS this exhibition’s response to the constant conflict between every person and the times they live in.  Society has come full circle in art.  In Ortega’s (the OyG  project’s namesake) time, the early 20th century art marked a move away from realism and human representation.  Now the importance of inner experiences and mental structures of individuals need a grounding in the humanization of art.

Figurative art has become a platform for diverse representation and for artists to explore their own identities. The portrayal of strong, dynamic figures empowers this exposition’s viewers, inspiring them to act and overcome their own challenges. The free-flowing movement evokes decidedly positive messages, offering visitors a reminder of the opportunities that still exist, even in difficult times.

Inspirations for the works are drawn from each of the artist’s personal experiences.  Both women are coming into their creative prime after decades of living “regular” lives. 

The beautiful juxtaposition of the bronze figures with the figurative paintings creates a rich sensory experience, emphasizing the different ways artists can explore the human form. Both classic mediums become fluid under the hands of the two artists Laura Testé and Lisa Vanderhill. Laura catches the surge of movements in her bronze sculptures. Lisa captures the flow and translates the energy onto her canvases. 

The contrast of artistic materials works together well under the shared exploration of the power of the being human.  The exhibit highlights the enduring relevance of classical art mediums in contemporary practice. The movement, be it sculpted or painted, creates an interdisciplinary dialogue and fosters a deeper understanding of how different mediums can complement and enhance each other.